Get Ready For Blob Girl Summer
- The writer Talia Lavin reflects on emerging from our Covid quarantines with the same perceived flaws and insecurities as before.
- What if the coming season is less “Hot Vaxxed Girl Summer” and more “Blob Girl Summer”?
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As the petals drop to the pavement and shots slip into arms, we’re rolling inexorably toward Hot Vaxxed Girl Summer. We, the immunized, survivors of the plague, are supposed to emerge from our Covid quarantines without hesitancy. The problem with this is that I was never Hot in the first place and this Summer is no different.
It’s still just me, blinking hesitantly and shaking a little, sweating under my shapeless clothes and knowing that there are still people dying at war with their own lungs.
The truth is I am a Blob Girl. I am part of a vast middle sector of womanhood who are pretty bad at Being Women in the way that involves an arsenal of products and a wealth of knowledge to address every detail of our femininity with attention and care and perform it with the practiced grace of dancers. My je ne sais quoi is a literal translation: I don’t know what it would take to have such a quality.
This summer, the humid air will press down on me like a sweaty hand and I, in the middle of it, will be as limp and unluscious as a two-day-old funnel cake. In a world of curation through layers of screens—in which even I, stale dough pinched into the rough approximation of a human woman, know my best selfie angles—it is difficult to admit it and still more difficult to hope that somewhere I have a tribe.
There is so much expectation, after more than a year locked inside. We were supposed to improve ourselves during our time away from the world. In a social milieu shaped by the bright relentless self-optimization of capital we are supposed to come out of our bedrooms-slash-workspaces thinner and shinier.
Except I didn’t. For me, what’s coming is Blob Girl Summer.
I know I am not alone, that there’s a secret legion of grieving and unimproved femmes who have tried and failed to enter the halls of a kind of womanhood that is locked off to us. Somewhere there is a place, I imagine it to be not unlike the Temple of Dendur in the Met, where the Hot Girls sleep at night in their sarcophagi. I could get my ticket my life would change, and since I can’t, I live an unchanged life. The last time I tried to sit on a stoop on a sunny day I sat in dog piss and I didn’t even know, for hours.
For years I have tried to enter the temple, but I haven’t tried hard enough, and I have a big furrow in my brow and wrinkly hands. So much of what Being A Woman is supposed to be is the ability to transfix and enchant, glances sticking to you like cobweb.
I was built for gazes to pass over, an awning is more exciting than me, a hot dog cart is more exciting than me, the little creatures in the rainwater coming out of the gutter that you can’t see with the naked eye are nonetheless more visually arresting than I am. Am I a woman still? I have tried to be.
So many people have died this year, millions, and I have survived to take into my body a miraculous shot that is the very flower of medical science, a code written in my genome to lock out the great threat. And I, imbibing this, have the temerity to not even be sexy. If Vaxxed Girl Summer is meant to be a kind of pan-cultural Rumspringa I ought to be someone that transcends schlubhood under its thrilling aegis. And yet.
A SUGGESTED RITUAL
The proof of my failure is all around me, entombed in the room I rent. Somewhere in my possession is a pale blue container of Tatcha’s The Water Cream, a moisturizer that goes for $68 for 1.7 fluid ounces. Within the pale unguent, the advertising copy states, are wild roses, and leopard lilies found “on the cool hillsides of Japan.” The cream is thick and white, and the luxuriant vessel that holds it is accompanied by a gold-colored spoon, with which to smooth the pricey goop onto your face. There is a “suggested ritual” to accompany the cream: Camellia Cleansing Oil, Rice Polish, The Essence – $286 worth of salves and scours meant to alchemize one’s face and decolletage into youthful, glowing perfection. I bought it, all of it, in a manic phase in the last year of my twenties.
I was a Blob Girl convinced I could be a Hot Girl and so I was attuned to the chatter all around me about skincare routines. There were articles about it – The Cut runs a repeating feature interrogating how various women “Get Her Skin So Good” (most are very rich or very young or both). I wanted in, and I read the articles, bought the best, as far as I could determine, among a blizzard of beauty guides laden with an intricate web of affiliate links. For a few nights I bathed my skin in these things, titrated them drop by drop onto the bags under my eyes, the sallow tops of my breasts, my unspeakable neck. But I had no discipline; it was just another dilettante’s sally into a kind of femininity I had no real business taking part in.
By now I’ve mostly mostly hidden the serums away, feeling a vague shame about the whole thing.
I’m now 31, and I grew up when Heroin Chic was still the ideal of womanhood, hipbones protruding from low-rise jeans. The belated acknowledgement that flesh belongs adjacent to bones came late in my twenties, too late for me, and I continue to await a great cultural reset that hallows a body that looks like mine–an overstuffed couch dropped from a great height, a knockoff Venus of Willendorf made of plasticine. Somehow and somewhere (many somewheres, or everywhere) I learned that a perfect woman is a mirror that shows you precisely what you desire.
Nonetheless I stand in my sack dress and Walmart sandals and tilt up my bare, pore-heavy face with its incipient jowls and admit with chagrin and little grace that I am not among the blessed. I am a Blob Femme, a creature half-made of envy and shame, whose breasts are incidental and pendulous. A woman sure she is a woman, but sure of little else.
To be a woman and do it properly is a job that requires both effort and skill. It can involve cash, yes, but also work – testing and curation, a keen awareness of audience and effect. Much can be done with simple and cost-effective material, and while its primary cultural exemplars are wealthy, looking fantastic isn’t solely the provenance of the bourgeois. There is value to this work: learning the mysteries of the contour, differentiating foundations, finding the just-right nook of bone that blush ought to be applied to; assessing one’s palette, knowing hair milk from hair gel from hair cream. There is work in building looks each day out of the raw material of simple clothing, and it is work I admire, and at which I lack talent and initiative. There is unimaginable amounts of work involved in sculpting a beguiling figure out of simple flesh. I do not denigrate it; I long for it, strive for it when I’m flush in mad dashes of acquisition.
I never learned how to be flat enough, silent enough, to be all winking, passive chrome. During the pandemic I was lucky enough to be cloistered; this privileged solitude left me alone with a mind that wouldn’t stop buzzing, alone with a body that kept manufacturing its own insistent and extraneous desires. I know that there are many women who excel at both the labor of performed femininity. Who lust and take with grace, and who are as skilled in attaining their own pleasure as they are at giving pleasure away. Still, after this wearing year, a year of morgue-trucks and uncertainty and pain, I am still a woman unskilled at womanhood, not new to its arts but still humbler than an apprentice: A supplicant at the door of the temple.
The world calls me out into the light of Hot Vaxxed Girl Summer, to be warm and poised and lush, but the spring is still cold and I am frightened and frozen at the threshold. Each step I take from an isolation in which my body, being alone, had no locus of comparison, is a step back into a world of all-too-familiar shame. Forgiving myself for every untoward fold and hair, every lemurish attempt at eyeliner, every clumsy waddle on thighs like boiled dumplings, forgiving myself for being me, or even just for being, is its own ongoing labor.
Having survived through a plague I want to live every inch of my survival, the world my oyster and I, its irritant little pearl, the gem at the lip of the mantle, to be plucked out and buffed to shining nacre. Instead I’m the oyster, all slime in the throat, eating grit. Still, I lived. My body allowed me to hide and survive and, surely, for this it has earned a little grace.
Penelope, the wife of Odysseus, undid her weaving each night to ward off suitors and buy herself time. I too have much to unthread each time I close my door on the world. From the poor material of myself, I have to spin patience and a little kindness. Hot Vaxxed Girl Summer is coming, and all I can do is set my fat hands to the loom.
Talia Lavin is a freelance journalist and author of the recent book “Culture Warlords: My Journey into the Dark Web of White Supremacy.”
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